Missoula’s State Legislator, Ellie Boldman, was peddling the supposed achievements of the Legislative session last Monday when she heaped a steaming pile of accolades on the director of the non-profit I’m legally banned from writing about, calling her the Queen of Egypt. Why?
I’m going to risk the anti-Constitutional dictates of my judge, Mandamus Shane, in order to provide the context to this lavish praise that only a former insider like myself can provide. You see, without a properly informed public this whole democracy thing just doesn’t work, so if I have to risk a return to jail to tell Missoulians what the fuck is going on behind the scenes, that’s what I’m going to do.
On Saturday I briefly parked my DOGE dump truck next to Forward Montana. I even helped out when the person tabling realized that one important part of tabling is weighing down your cute propaganda from the ravages of the wind. Less helpful was my counter-narrative to the I GIVE A SHIT slogan pitched by this well-meaning young person and her accomplice, who arrived after the wind did its thing.
Wind, in its more destructive forms as hurricanes and tornadoes, can be incredibly damaging, even lethal. To provide protection from this kind of dangerous wind, different systems of warning have been developed. When the tornado is a person, though, it can be more difficult to provide warning.
When I wrote about Catherine Virginia Tooley Shepard’s death last June–the young woman who worked at Forward Montana until her untimely death in 2019–I didn’t know who her family was. Now that I’ve spoken to a family member, briefly, I’m even more concerned about the ramifications of our local media’s deafening silence on the pile of skeletons in Ellie Boldman’s closet.
And then there’s the LifeGuard Group.
I was recently tipped off about a new blog that supposedly exposes what’s happening to trafficking victims in the woods south of Missoula and–SHOCKER!–it isn’t good. If you’ve been reading this blog, though, it’s not new news that the Chaplain of the Missoula County Sheriff’s Office, Lowell Hochhalter, is up to some shady shit, but, if wider attention and actual accountability ever descends from the heavens, I don’t think locals would be able to handle the scope of who knew what, and when, about all this shady shit.
Which brings me to my creative methods of information delivery and how I plan to HAVE SOME FUN this political season with the misguided Socialist effort to further alienate themselves by politically dying on the hill of a miserable warehouse for drug addicts called the Johnson Street Shelter.
Below, in the video debuting my catchy new tune, the political sign you can get a glimpse of sources drug paraphernalia from our local encampments, so GET READY for some engaging door-knocking as the weather warms and I explain in direct conversations why homeless tokenism is a losing strategy for Team Socialism!
In my direct conversations with people I can be SO MUCH MORE explicit in what I recount about my knowledge of the seedy underbelly of this town and how so many of the tentacles are in alarming proximity to the most vulnerable, which doesn’t make it any easier to prepare for dangerous storms.
Transgressive art is SUPPOSED to scare the shit out of the power structure, and despite decades of effort to the contrary, we still live in a society where profoundly transgressive art still makes it out at the absolutely highest levels.
Holy shit, this one’s a doozy! This is JUST the kind of shit show I look for to write an issue of Psy Op watch because they’re literally flying all over the place and in every direction with this one. EVERYONE is a target, which is always the case, but this is a particularly extreme example which helps break people out of the partisan thinking that helps enable so many effective psy ops.
So, first things first, many of you likely already know that Kanye West released a music video last week for a song he wrote recently called Heil Hitler. It is however likely that many of you who have heard OF the song haven’t actually heard the song or seen the music video. That would be because the shit is being AGGRESSIVELY scrubbed from Youtube, and other cucked technomancer platforms.
Originally it was still showing up on twitter, but I looked last night and couldn’t find an original of the video still up. There’s about a million videos of various assholes reacting to it. I think it is fair to presume that practically every react video up is reacting negatively. Presumably any positive reaction would also “violate youtube’s terms of service” which has been the fate of every post of the unedited music video so far.
One aspect of this song that regular Zoomchron readers should find peculiarly interesting is that the first half of the song is very oddly reminiscent of the downward spiral you’ve all watched Travis Mateer go through in the last year or so. Seriously… the resemblance between Travis’ recent freakout woes and Kanye’s is uncanny… Here’s the first few lines of Heil Hitler
These people took my kids from me, then they froze my bank account.
I got so much anger in me got no way to take it out.
Think I’m stuck in the matrix, where the fuck’s my Nitrous?
Yes I am a cuck I like when people fuck on my bitch
Wow… I shouldn’t be telling you guys this (but it should be fine because Travis doesn’t read my articles), but as a key member of the team that gangstalks Travis, I notice a real intense similarity between Travis’ collapse and Kanye’s… It makes me realize that there’s something of a broad, universal timelessness about bullying. You select a person who sticks out from the group in an awkward way, and while some bullying is meant to pound that protruding nail down to be flush and uniform with the others, for gangstalking organizations like mine (and obviously like the one that’s been working on Kanye for years), its about using the other side of the hammer… We pry at that individual and pull them further and further out of sync with the bed of nails of which they are a component… we wrench and yank and pull and pound sideways and get these people bent completely out of shape so that even when they express their frustration with the bullying, they do it in this helpless, instinctive, lashout way that further alienates them from their surroundings… I think it is safe to conclude that Travis REALLY likes this Heil Hitler song. I bet he relates to it on a profound spiritual level. Which means he’s potentially in with a huge group of individuals sucked into the pro-Kanye side of this sophisticated, multi-faceted psy op.
Most normies online cling to a profoundly boring position that they like (or liked) Kanye, but don’t like the Heil Hitler era of Kanye. Another, edgier type of online normie takes the exact opposite tack and concludes that they like the Heil Hitler thing but don’t (or didn’t) care for Kanye, and their criticism of this song is REMARKABLY similar to what many of you have been saying about Zoomchron for the last year, namely that there’s an important message here but that you’re getting a little fed up with watching Travis’ narcissistic, masturbatory, self-obsessed personal narrative cluttering it up…
There’s no way Travis Mateer doesn’t relate to Kanye West and the song Heil Hitler on a profound spiritual level… This track could have come out of Travis’ ukelele.
The shit that I’m posting on twitter they telling me “Ye don’t say that“
How niggers can’t see me in public? I’m driving an all-chrome Maybach.
With all of the money and fame I still can’t get my kids back
With all of the money and fame I still don’t get to see my children
Niggers see my twitter but they don’t see how I be feeling
So I became a Nazi yeah bitch I’m the villain…
I don’t watch a lot of react content (because of course I don’t), but somebody did send me a link to Ben Shapiro’s reaction to the video. And I gotta say I found it an amusing four and a half minutes of pearl clutching personal outrage disguised as dispassionate, cogent analysis, which if I’m not mistaken is basically Ben Shapiro’s whole business model. I am of course unsurprised that Ben Shapiro is critical of this shockingly bold and/or deranged act of “transgressive art”. If MY job were to promote, support, and distribute the brainwashing propaganda of a disproportionately Jewish mass media narrative control apparatus I’d be pissed about this little happening too.
(Editor’s note: In deference to our readers’ intelligence I wish to acknowledge that I DO regularly engage in media-enabled acts of brainwashing, but my sphere of influence is somewhat smaller than mister Shapiro’s. And more importantly, I promote brainwashing propaganda purely for the love of the game. ALL my platforms are aggressively de-monetized [BY ME] and the complete absence of any revenue in my non-profit corporation reflects that. Ben does brainwashing bullshit for money. I do it for fun. We are not the same)
Now tracing and distinguishing what is even happening at the base level with this song is a little tricky. Kanye West himself is notoriously unpredictable and has been particularly so lately. Both those links are 3 hour interviews and its a hell of a lot easier to find news clips and react videos of those online than it is to find the full interviews (just like with the new music video), and he gives plenty of opportunities for people to chop salacious little clips out of them where he says what sounds to me like the most shocking thing he can think to say at the time. He’s pretty widely regarded as just a crazy guy, and having watched many hours of interviews with him (I think they’re pretty hilarious), I think it’s a fair assessment, but I don’t know him personally so I really have no way of knowing if he’s actually crazy or if I’m being presented with a narrative that makes him look crazy for art/entertainment/psy op purposes. In any case, I’ve always liked everything about Kanye West (except the music).
So tracing what he’s actually up to with this video, and his broader “Hitler arc” is tricky. Is this a piece of complex satire? A bit of edgy trolling? Controlled opposition? Or maybe he’s completely sincere… Maybe the ethos of National Socialism really appeals to him… Do we think he really understands the ethos of National Socialism? Personally I kinda doubt it, and that’s not just me being racist – I mean, I am fairly racist, but the thing is I don’t think that I really understand the tenets of National Socialism. The actual political philosophy was kinda glossed over in my education (and probably in yours too) because of the sensitivity of the subject, and while our public and university educations focus A LOT on WWII and Nazi Germany, I don’t feel like I came away with anywhere near as accurate and complete an understanding of the political philosophy of National Socialism as I did say Marxist Communism, just to name a random ideology of our civilization’s geopolitical enemies with a comparable kill count.
And that kinda gets to the whole point of the Psy Op. The POINT, patient reader, is that OF COURSE this song and music video stirred up a shitstorm because it plays on a culturally imbued fixation that ZOG Western governments have cultivated for Adolf Hitler, but its using their media apparatus to actively promote and glorify the man and the ideology that our society has designated as the most evil of all time. From his position as THE villain, Adolf Hitler today is possibly the most culturally influential figure in western society, even 80 years after his (alleged) death.
And, here’s the thing about the cultural relevance of Adolf Hitler in 21st century America, and the West more broadly…
Hitler’s cultural influence, while taboo, is extremely relevant in 21st century America. World War II was the defining cultural happening for America’s rise to global dominance, and the causes, actions, and outcomes of America’s Sacred War are constantly repeated, justified, and hyperbolized. America’s obsession with World War II and with Nazi Germany incentivizes all corners of the political compass to compare their political or social opponents to Nazis in a startling abundance of circumstances. The more-than-passing similarity between contemporary America and pre-war Germany’s Weimar Republic ensures that these comparisons are distressingly relevant for all parties.
Simply stated, the fundamental evil Hitler is distilled to represent in our society is the practice of culturally-sanctioned hate. We are all taught as children not to hate, and as we grow to digest more nuanced concepts, we are taught that a culture that encourages hate is far more dangerous and frightening than an individual who practices or expresses hate. Hate sanctioned by the government itself is reviled above all other values and practices, thus the constant relevance of Adolf Hitler and of Nazi Germany as the cultural boogeymen; distilled to serve as the historical example of our culture’s cardinal sin.
As the reviled figurehead of our defeated arch-enemy, it is entirely acceptable in practically all forums to express hatred for Adolf Hitler’s legacy and ideology, and for Hitler personally. Some may find that they are even encouraged or rewarded for expressing personal animosity toward Hitler.
And therein lies the fundamental irony in the ideology our mainstream moral compass has been built around. In discouraging and reviling the personification of culturally-sanctioned hatred, we have created and energized a forum for the exercise of culturally-sanctioned hatred.
Accepting and embracing such paradoxes, and understanding their position as the keystone of America’s ethical framework, goes a long way in helping an individual understand and cope with the legion of contradictions in our society. People in the anti-bullying movement are the biggest bullies you are likely to meet. A political activism slogan like “Black Lives Matter” doesn’t literally mean “Black Lives Matter”. The point the Black Lives Matter activists are trying to make is in fact that “black lives DON’T matter (but they should)”. Those who identify themselves as “anti-racists”, in fact have the most social capital at stake in the perpetuation of racism.
We all know, as a truism, that hate cannot erase hate, but we all continue to insist “It’s okay when I do it.”
Here’s a non sequitur image to cleanse the palette…
I told myself I was gonna keep this one brief, because frankly, while I may talk a big game about respecting you as readers, I have pretty low expectations of people in general to be able to talk or think in an informed, dispassionate, or unemotional way about Adolf Hitler, or to a lesser degree, the president of the Adolf Hitler fan club: Kanye West. MOST people have already made their mind up, and there’s really not a lot you or I can do to change that, so there’s not actually much point for either of us in dwelling on this for too long. That’s not a criticism of you personally by the way, its perfectly reasonable to have made a value judgment and stuck by it. Many of you know that you must filter the information available and decide for yourself what’s useful and what’s bullshit and you’re probably doing the best with what you’ve got.
If I can encourage any takeaway from this it MIGHT be that I actually like the music on this Heil Hitler song by Kanye… For real… The shit’s been stuck in my head since the first time I heard it, and I’ve always said “I like everything about Kanye West (except the music).”
Me saying that is rightfully met with knowing eye rolls: “Oh, Kanye releases a song called Heil Hitler and THIS is the one you think is good music, alright Freeman, Sure thing buddy.”
I actually think the Ben Shapiro “I’m a jewish mass-media propagandist and I think this glorifying Hitler thing has to stop” react had an observation that really gets to the heart of the matter… He’s the only reactor I’ve heard refer to it with the term “transgressive art”, and I think that’s right on. It gets right to the heart of the matter, and also gets right to why I personally (and professionally [and esoterically]) give a shit.
Transgressive art.
It doesn’t matter if Kanye’s a retarded schizo or a secret genius.
It doesn’t matter if the song Heil Hitler is a controlled opposition meant to associate neo-nazism with cuckolding and brain damage.
It doesn’t even matter if the song itself is good or not. The POINT is that transgressive art is SUPPOSED to scare the shit out of the power structure and enrage the normals who uncritically parrot the values dictated to them by that power structure. I’m extremely grateful that despite decades of effort to the contrary, we still live in a society where profoundly transgressive art still makes it out at the absolutely highest levels to send paroxysms of unpredictability through the population. It was cool when Andy Warhol did it in the 60s. It was cool when The Sex Pistols did it in the 70s, and its still cool when Kanye does it now.
“It doesn’t matter how on-the-spectrum you think I am. I have the right to speak out loud, that is our first amendment. And it’s a shame that you have to be considered to be on-the-spectrum to have enough courage to speak out loud.” – Kanye West
“If you consider the work I’m doing to be right, if you think I have been diligent, that I have worked, that I have advocated for you this year, that I have spent my time honestly in the service of my people, then cast your vote! If so, then stand up for me like I have stood up for you!” – Adolf Hitler
When I was coordinating the Homeless Outreach Teams, a program of the Poverello Center that works with the most difficult “shelter-resistant” individuals, some of my best successes were the people who I managed to get OUT of Missoula. One reason I attempted to relocate people, like the Veteran drinking himself to death in his camp down the Kim Williams trail, was because of how little actual help exists in Montanas for those who need it.
The article I saw today makes me VERY angry because it highlights the kind of critical work that DID NOT GET DONE in Helena this session. I guess bathrooms are more important than addressing behavioral health services (emphasis mine):
The excerpt comes near the end of a pretty long article that tracks the history of money that COULD be deployed if this was an actual priority of our legislators.
Heading into the 2025 legislative session, DPHHS had spent a meager $7.4 million of the BHSFG money, according to a December memo, almost all of which had gone toward “studying and planning” expenses.
By that time, the commission had approved $47 million worth of “near-term initiatives,” a bundle of short-term efforts meant to stabilize the system while long-term fixes were discussed. But of that, less than $1 million had actually gone out the door to communities as lawmakers gathered in Helena.
Though that number ticked up slightly throughout the session, it was still a far cry from the total amount of money greenlit despite the urgency of the state’s behavioral health crisis. DPHHS says the near-term initiatives are on track.
Combining what’s already been allocated with the governor’s BHSFG recommendations that were approved and the grab bag of bills from the 69th Legislature that pulled from the fund, around half of the $300 million is still sitting in the state’s coffers with no apparent plans for how to use it.
If you think our legislators are idiots who enjoy open season for their dumb-ass insanity, you are correct. To show off this idiocy the two politicians featured at the City Club event I can’t attend couldn’t even agree if the fucking budget was balanced. Ellie Boldman’s, the dumpster fire from Missoula, said it was, while Greg Hertz, from Polson, said it wasn’t without veto action from the Governor’s office.
Are they ALL retarded?
Hertz and Boldman presented different views on the state budget, which grew by 18% over the last biennium. Boldman said the state kept a balanced budget, while Hertz argued that Gov. Greg Gianforte must veto some bills to keep the state’s finances in check.
Both agreed the state’s property tax systemunderwent major changes, but said they won’t involve long-term property tax issues and will instead move the burden onto other taxpayers like Montana’s largestbusinesses.
Closer to home I found an amusing piece of political material sticking out of my door yesterday that I plan on using for my own purposes.
On the back of this adorable brochure there’s nothing specific about the mental health crisis or the drug crisis. Danny definitely wants to save the climate and boost childcare, but the kind of fiery destruction that results from drug addicts burning down private property? There’s nothing about THAT kind of issue.
To highlight how I’m going to be discussing my opposition to the Danny and Kristy Socialist Clown Show I took a pic of me holding up my Lego mushroom near the former HuHot property that burned to the ground because of our rampant homeless/drug/mental-health crisis’.
What I will be insinuating with my Lego mushroom is that our Socialists must be hallucinating the millions of dollars they recently claimed exists somewhere to keep the drug addict warehouse open because how else can we understand that recent effort, which one opposing Council member called bringing a “DOGE approach” to local government.
One more thing before I wrap up this mid-week post, and that’s a warning to anyone calling in public comments on their personal phone. After several attempts to use this option to make a public comment, since I’m barred from making comments in person, I finally got through on Monday, but was a little surprised to hear Mayor Davis say my ENTIRE PHONE NUMBER out loud for everyone to hear. My previous experience is that only the last four digits are read aloud.
I sent the Mayor’s communication specialist an email, but so far, nothing. Wouldn’t it be cool if one of the many lawyers I’ve contacted gave a shit about the Constitution? I mean, there could even be a BIG payday in it for them.
In summary, Montana is a BIG state run by very stupid people, and nothing I’ve seen shows that this will be changing any time soon.
On Saturday I chose to postpone the debut of my new song, A Protest Song About A Protest, because everyone is just so dour and depressed that it’s palpable. Instead of direct mockery in these protest scenarios I’ve been having genuine conversations with a smattering of people on the fringes and NO ONE has so far vehemently disagreed with my various local assessments. It’s almost like I have something legitimate to be concerned about!
Without Legos, I admit, local conversations don’t always go so well. But WITH Legos the wrench I keep throwing in all their gears is so much more entertaining. That’s why I’m happy to report that two out of three Municipal judges agree that my Lego creation, the DOGE dump truck, is a creation worth cracking a smile at.
If I had wanted to agitate the ants I would have amplified my tune. Sadly, the speakers were already doing the agitating, terrorizing the young children present with stories of horror and abuse. This wasn’t the time, I decided, or the place to play this delightful song:
Yes, with Legos things aren’t so bad, but let’s say I approach a County Commissioner on a nice Monday morning outside Wordens as he’s doing official business on his phone. In that scenario, with OUT Legos, I may just dump REAL information about REAL shit, like the REAL DISTURBING definition of “Panda eyes”.
Maybe I should save those types of conversations for the REAL cops pretending to do REAL investigations in this town.
