by Travis Mateer
If you don’t understand that “entertainment” is actually narrative warfare being waged by the psychopath class against the vast majority of humans on this planet, then you won’t understand what just happened across six episodes of True Detective’s fourth season, Night Country, but I’ll try explaining it to you anyway. Obviously, this explaining will include plot spoilers, though I’m not sure a show that prioritizes WOKE messaging over quality writing can really be spoiled any worse than what the creator of this crap, Issa Lopez, already did to it.
Quality content has taken a back seat to what this show is REALLY about, which is social engineering. The meta-narrative surrounding this isn’t just happening among fans comparing Night Country to past seasons of True Detective, it’s happening EVERYWHERE, and as long as our human frustrations are being compartmentalized, then re-directed at each-other, we’re not going to be able to step back and see how quickly and disturbingly “reality” is mirroring the “fiction” we’re allowing ourselves to be programmed by.
What did the audience expect? Did they expect consistency with core plot elements, like the spiral, which signaled the existence of a satanic pedophile cult in season 1? Sorry, audience, the spiral now represents lethal female vengeance, which makes covering up for the killers at the end by the female cops A-OK!
Let’s see how this world of cold-weather women did with their body count.
Jodie Foster and her ghost whisperer sidekick have a history together, and that history includes the execution of a violent, abusive man. While Foster’s character, Danvers, isn’t the one who takes the head shot, she later bonds with her sidekick by admitting she was about to shoot the man herself before her partner did the dirty business first. Cool!
The scientists who go missing at the start of this serial abomination are all men, and they all end up dead, even the guy who survives the initial attack of the vengeful cleaning ladies who SPOILER we find out at the end are the ones responsible for the murders. Why? Because the scientists are the ones who collectively murder the female activist, Annie. Right on, ladies!
In NIGHT COUNTRY women do all the wonderful things men do, like having vacuous sexual trysts with multiple partners, regardless of them of being husbands, and acting as ruthless corporate assassins, like the woman who told the cop to move the dead body of the activist to protect the purposeful pollution strategy of thawing the ice to get at…the ancient microbes from that frozen snake thing? Yeah, I guess.
Besides validating murderous vengeance and the subsequent cover-up, what other fun messages does this show transmit to its audience, like maybe on the salacious topic of sex?
Well, there’s Danver’s adopted daughter, Leah, who is gay and makes some child porn with her girlfriend for the internet, and there’s the ghost whisperer who, even though she repeatedly fucks a man, don’t worry, the show lets you know she’s bi, and her fucking of the man is very female-on-top dominant. He even whimpers a little at the end. Sexy? Not in the least, because those are OLD standards. We’re in NIGHT COUNTRY now, people, and it’s going to be a LONG, WOKE night!
The young man who manages to find most of the leads in the main case, Pete, does appear to have a heterosexual fucking-orientation toward his indigenous partner, but he flips out at the beginning of the show over her sexual aggression. Why? He’s too enraptured by his boss, who has fucked half the town’s men and likes to check Tinder, to give his partner a little nookie.
Pete redeems himself, though, by shooting his own father in the head, and like a ritual initiation, Pete takes his dead father (and the dead male junkie) to Rose, who helps him dispose of the evidence. You’re in the club now, Pete!
I think we enter unicorn territory with this social engineering project when the BIG REVEAL gives us the “story” of vengeance as told by the female elder who was introduced in episode 1 giving first aid to the abused white woman with missing fingers.
This story, told around a kitchen table, is sprinkled with just enough native-sounding mysticism and plausible deniability to ease the badges into providing this group of women with the “official” story from Anchorage, which is that the scientists are considered to have died from a freak weather event. The cover-up narrative is now cool because it obscures the role of the righteous killers who I’m guessing a certain segment of the viewing audience is supposed to identify with.
I’m claiming this on-screen female solidarity is as real as a unicorn because the real world just doesn’t operate like this. No, it’s more like this comment from a woman about the abuse of power by another woman which allegedly resulted in multiple female inmates being harmed.
Before we get to the comment from someone I’ve spoken with, but who’s name I’m omitting, here’s the article I’m 99% sure the comment is referring to:
The warden of the Montana Women’s Prison in Billings has been placed on administrative leave.
Jennie Hanson has been the warden of the facility since 2017.
The Montana Department of Corrections, which oversees the prison, has refused to provide any details, calling it a personnel matter, and telling MTN News that Assistant Warden Alex Shroeckenstein is now the acting warden.
The women’s prison houses around 240 inmates. Hansen has been an employee of the corrections department since 2009.
And now, here’s the comment:
Another real world example from Montana is tied to a State Representative who used homeless people to launch a Montana political career. According to MULTIPLE sources, this female State Representative enacted a campaign of cyber-bullying against another female because this young political intern had supposedly engaged in an extramarital affair with this Rep’s husband. The result of this bullying was the young woman’s suicide in 2019, and despite text evidence of this bullying, which I’m told the family took to authorities, our County Attorney, Kirsten Pabst, refused to do anything.
Returning to the show, the idea of suicide is actually depicted as some kind of romanticized cultural thing to embrace. Is this just another gripe dreamed up by someone with a penis who has the sads because the patriarchy doesn’t protect him anymore? No, it’s actually something I came across in a Reddit thread I’ve been following, and this comment is a good illustration of the argument I’ve seen about how Navarro (the ghost whisperer) is depicted as disappearing in the end.
So, in summary, gender war, meaningless fucking, and suicide. If you want to know who to thank for this season, her name is Issa, and she just happened to have been raised by an apparently pretty dedicated father who, according to Wikipedia, did his best after mom died. From the link:
Issa López was born in Mexico City, where she was raised by her father after her mother died when she was eight years old. Her father was a semiotics academic and a college professor. During her childhood her family faced economic hardships, since academia is not a high-paying job in Latin America. This was a defining aspect of her life, inspiring much of her later work, since her dad would try to keep her and her sister entertained in spite of their economic situation. Lopez explained in one of her interviews that she, her sister and her dad would “go every weekend on some road trip through Mexico, from small town to small town, sitting to watch kung fu and horror movies in traveling cinemas, eating street food, visiting archeological sites, jungles, deserts and the most haunted little towns in the country”. Those memories were the inspiration for many of her stories.
I hope this post has provided a fair look at a show I had high hopes for, because I don’t want the possible bias of what I’m going through, personally, to totally color how I view the social engineering that seems to be a higher priority for our controllers than making money, or anything closely resembling “art”, especially since my ability to keep going against so many headwinds is being sustained by my synchronicity buddy, and my rose (not the one who punctures lungs so the corpses sink to the bottom of the cold, dark sea).
Thanks for reading!